
The Question in the Fog
An anonymous local community board in Osaka, a thread titled 'Unexplainable Midnight Encounters' was initially dismissed as teenage hoaxes. However, as time went on, the content began to coalesce into a chilling pattern. It wasn't like typical ghost stories. Posters commonly described a sudden, heavy silence in the foggy, midnight streets, the appearance of a tall woman wearing a surgical mask, and a precise, eerie question: "私、綺麗ですか?" (Am I pretty?) Most chilling were the follow-up posts. These weren't first-hand accounts from victims, but indirect stories about scratched doors discovered by neighbors, or reports of violent but non-fatal facial injuries on young women after similar encounters in other prefectures. The commonality lay in the 'method': precise, clean wounds inflicted around the mouth, as if replicating the legend. The police remained officially silent, but the board claimed a noticeable increase in 'unexplained assault cases' in crime records during periods of dense fog. What caught my eye was a specific post: the fog itself seemed to congeal and trap the person, the woman's voice came from everywhere, and then they blacked out. The post abruptly ended, with no further activity from that user. This wasn't just folklore. It was a blueprint for disaster.
I turned my attention to an old, abandoned elementary school in Kyoto's Higashiyama district. It was mentioned repeatedly in the periphery of the board's discussions, and was particularly known for its dense, pre-dawn fog, especially near the Kamo River. In the past four months, two young women had been reported 'missing' near the school, both students. Just before midnight, I arrived. The air was already thick with damp humidity, and the streetlights blurred into faint halos. The silence was immediate and profound, as if the fog itself absorbed all ambient sound. The creak of the old school gate echoed abnormally loud, then was swallowed. As I entered the courtyard, damp fallen leaves clung to the concrete, giving way to a gravel path leading to the building's entrance. The only sound was the regular drip of water from the eaves, each dull, heavy drop resonating strangely as it hit the ground. The air held a faint, almost metallic, fishy smell, like iron or disinfectant. I couldn't place it, but it felt out of place here.

Deep inside the school's central courtyard, a dense, smoky mass of fog pooled and swirled. The pale moon above could not cast direct light here. My flashlight beam cut through the vapor, but all I saw were patches of peeling paint on classroom windows and the outlines of rusty playground equipment. The metallic smell grew stronger, now sickeningly sweet. I called out, "Hello?" My voice was instantly muffled, choked, as if the fog itself were a physical barrier. No echo returned, only a deeper, more oppressive silence. Then, a subtle change: the fog around me began to move. Not by wind, but in a slow, deliberate flow, enveloping me. The temperature dropped abruptly. And then I heard it. A faint, almost imperceptible whisper. I couldn't make out words, but it was unmistakably there. Not coming from one direction, but from everywhere simultaneously, seeming to vibrate the very air around my ears. It was a pressure. A physical manifestation of sound distortion. Chills ran down my spine. It felt as if the physical structure of the environment itself was being manipulated.
The whispers then merged into a distinct female voice. It was impossibly close. "私、綺麗ですか?"

The fog immediately thickened, solidifying into walls around me, narrowing my vision to mere inches. I turned to find the source of the sound, but the voice seemed to echo from directly behind me, then in front, then above. Panic began to set in, but the silence after the question was so absolute, it was louder than any scream. I managed to croak "Yes," recalling the legend's precise, fatal rules. A beat of silence, then a quick, rustling movement, too fast and fluid to track in the dense fog. The metallic smell was now overwhelming. A figure materialized directly in front of me, seemingly rising out of the mist as if by magic. Tall, cloaked, her face obscured by a surgical mask. Instead of raising a hand to remove the mask, she presented something that glinted eerily in the faint light: a long, sharp pair of surgical scissors.
"Then how about now?" she said. Her voice was now chillingly clear and perfectly articulate, yet utterly devoid of human warmth.
I stumbled backward, tripping over something unseen in the fog, falling with a terrible thud onto the damp concrete. The shock jolted up my spine, a wave of pain. The figure took another step closer, the fog parting before her as if forced, then closing behind, trapping me against the crumbling walls. The scissors 'clicked' once, a sound like bone and ceramic, incredibly loud in this void. I felt the cold precision of the blade's tip lightly touch the corner of my mouth. A feather-light contact, yet so real that my body froze. There was no escape. The fog, the silence, her eerie speed and presence were not merely environmental; they seemed extensions of her will, pinning me in place. I felt the subtle pressure of the blade, the sensation of cold steel against my skin. The legend wasn't just a story. It was a performance, designed to break you, render you perfectly helpless, and then deliver an unavoidable, precise cut.

I don't recall the exact moment of escape. A sudden surge of adrenaline, a desperate scramble, and then the blessed freedom of the open street, though it still felt suffocating. The fog was still dense, but now an irritating hindrance, not a prison. I ran until my lungs burned. Days later, back in my meticulously organized archives, the initial relief had warped into something far more insidious. I kept staring and staring at my reflection in the mirror. Physically, I was largely unharmed. A few scrapes from the fall, nothing more. But one evening, while brushing my teeth, I saw it. A faint, almost imperceptible line, a tiny scar less than a millimeter, starting at the corner of my mouth, precisely at the spot where the blade had touched. So subtle, so clean, it could be dismissed as a blemish, a natural wrinkle, or an imagined wound born of paranoia. But it wasn't there before. And sometimes, in the dead quiet of the night, a faint trace of that metallic, disinfectant smell seems to seep into my apartment from beyond detectable bounds. It was a cold reminder that some stories don't just stay in the shadows; they leave their own marks. The bulletin board thread, once an echo of distant horror, now feels like a direct link. The anonymous posts are no longer distant whispers, but collective cognition, and the silent police reports have become an undeniable confirmation.

[ CLASSIFIED VERDICT ]
[ACCESS LOG - SOURCE FILE]
This story is based on the famous Japanese urban legend known as "Kuchisake-onna" (The Slit-Mouthed Woman). The legend describes a woman wearing a surgical mask who appears on nighttime streets, asking "Am I pretty?" and, depending on the victim's answer, proceeds to slit their mouth. This story became a pervasive, almost real rumor that terrorized Japan in the late 1970s, spreading widely among children and creating widespread social panic.